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Chinese Works of Art
SALE N08171 LOT 74
SESSION 1 | 30 Mar 06 10:15 AM.
New York
A RARE CINNABAR LACQUER DISH
YUAN DYNASTY
150,000—200,000 USD
Lot Sold. Hammer Price with Buyer's Premium: 180,000 USD
MEASUREMENTS
measurements note
13 1/2 in., 34.3 cm
DESCRIPTION
of shallow circular form resting on a short footring, the interior
finely and deeply carved through the red lacquer with a pair of
confronting songbirds with elegant outstretched wings and long tail
plumage curling to conform to the shape of the dish, gently incised
with delicate lines to depict their feathery bodies, amdist a dense
profusion of musk mallow flowers and leaves, the details picked out and
carved in varying levels of depth to give a three-dimensional effect,
all bound within a thick rim, the underside of the rim encircled by a
guri scroll carved through to reveal alternating layers of black
lacquer, the base lacquered black, Japanese wood box
CATALOGUE NOTE
Designs of paired birds surrounded by lush flowers were particularly
popular for carved lacquerware in the Yuan dynasty, although they can
be traced back to beginnings in the Southern Song. The musk mallow
shown on the present dish was, however, rarely depicted, more common
being camellia, peony and lotus.
A very similar dish in the Honolulu Academy of Arts, is illustrated in
Sir Harry Garner, Chinese Lacquer, London, 1979, pl.43; another was
included in the exhibition 2000 Years of Chinese Lacquer, Art Gallery,
The Chinese University of Hong Kong, Hong Kong, 1993, cat.no.35; and a
similar red lacquer dish, attributed to the Yuan or early Ming dynasty,
from the Florence and Herbert Irving Collection, now in the
Metropolitan Museum of Art, New York, is published in James C.Y. Watt
and Barbara Brennan Ford, East Asian Lacquer, New York, 1991, no.19 and
illustrated on the cover.
A red dish carved with musk mallow only and lacking the birds, from the
collection of Edward T. Chow, sold in our Hong Kong rooms, 3rd May
1994, lot 270, is published in Sotheby's: Thirty Years in Hong Kong,
Hong Kong, 2003, pl.405.
A similar black lacquer dish, decorated with different birds among the
related hollyhock flowers, in the National Museums of Scotland,
Edinburgh, is illustrated in Hu Shih-chang, Chinese Lacquer, Edinburgh,
1998, pl.8; black lacquer dishes with long-tailed birds among camellias
are in the Metropolitan Museum of Art, from the Irving Collection, see
Watt and Ford, op.cit., no.20; and in Seattle, see Michael Knight, East
Asian Lacquers in the Collection of the Seattle Art Museum, Seattle,
1992, pl.6; one was sold in our Hong Kong rooms, 27th April 2003, lot
290; and a red lacquer example with birds among camellias, in the
Palace Museum, Beijing, is illustrated in Zhongguo qiqi quanji, vol.4,
Fuzhou, 1998, pl.162.
This mature Yuan style, where the design is beautifully laid out and
the carving very accomplished, developed from much simpler Song
prototypes. To follow this development, it is interesting to compare
several examples of Song dynasty lacquerware with bird-and-flower
designs included in the exhibition The Colors and Forms of Song and
Yuan China: Featuring Lacquerwares, Ceramics, and Metalwares, Nezu
Institute of Fine Arts, Tokyo, 2004, cat.nos.83, 84, 89, 92, 118, and a
more direct predecessor, attributed to the late Southern Song or Yuan
period, no.86, as well as a Southern Song silver box with a related
bird design, no.36.
For the identification of this flower as musk mallow see the woodblock
print from a pharmaceutical handbook published in 1249, illustrated and
discussed in Regina Krahl, 'Plant Motifs of Chinese Porcelain: Examples
from the Topkapi Saray Identified through the Bencao Gangmu',
Orientations, May 1987, p.55, fig.3, and as well as an illustration
from a later handbook and a Yongle ewer with this design, p. 58,
figs.16 and 18. |
JBOC Note: The Yuan Dynasty was
the Mongol Dynasty from 1279-1368 A.D.
I am not looking to buy or sell. I
am reviewing this object to place it in context and to use it as a
teaching aid.
Thanks and best wishes,
J. Barry O'Connell Jr.
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