JBOCs Notes on Oriental Rugs

The Ambassadors by Holbein the Younger

'Jean de Dinteville and Georges de Selve ('The Ambassadors')' 1533

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'Jean de Dinteville and Georges de Selve ('The Ambassadors')' 1533

Here we have a very unusual touch in this painting. In the lower center of this painting is an anamorphic rendering of a skull. namorphosis is a form of perspective that obeys all the laws of perspective but appears distorted on first glance. There is a view in which the anamorphic rendering is rendered correctly. This skull howver is an excepyion to the rule in that while it was projected and traced by Holbein the lens was shifted slightly causeing a slight distortion to the back portion of the skull. (see Lawrence Weschler)

From the British National Gallery

'The Ambassadors'
Full title: 'Jean de Dinteville and Georges de Selve ('The Ambassadors')'
1533
HOLBEIN the Younger, Hans
1497/8 - 1543
NG1314.   Bought with contributions from Charles Cotes, Lord Iveagh and Lord Rothschild, 1890.

This picture memorialises two wealthy, educated and powerful young men. At the left is Jean de Dinteville, aged 29, French ambassador to England in 1533. To the right stands his friend, Georges de Selve, aged 25, Bishop of Lavaur, who acted on several occasions as ambassador to the Emperor, the Venetian Republic and the Holy See.

The picture is in a tradition showing learned men with books and instruments. The objects on the upper shelf include a celestial globe, a portable sundial and various other instruments used for understanding the heavens and measuring time. Among the objects on the lower shelf is a lute, a case of flutes, a hymn book, a book of arithmetic and a terrestrial globe. Certain details could be interpreted as references to contemporary religious divisions. The broken lute string, for example, may signify religious discord, while the Lutheran hymn book may be a plea for Christian harmony.

In the foreground is the distorted image of a skull, a symbol of mortality. When seen from a point to the right of the picture the distortion is corrected.

Oil on oak 207 x 209.5 cm.

From the British National Gallery

http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG1314

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Thanks and best wishes,

J. Barry O'Connell Jr.

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