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This rug strikes me as very old. I suspect
that this rug may well date from the mid 18th
century. Bergama
rugs are generally seen to be derivative of
Ottoman court carpets.
I remember attending a lecture a while back at
the Textile
Museum by Marla
Mallet. Marla had us drawing out designs and
she demonstrated that "Design influence
flows most often from restrictive fiber
techniques to freer techniques." Murray Eiland Jr has long
advocated a complimentary theory that Major
designs would start as court art and then
degenerate into village rug designs over a period
of time. The reason I mention this is because the
more formal and closer to Ottoman Court Textiles
a Bergama is the more likely it is to be older.
So when I compare this rug to the 19th century
Bergama in Eiland & Eiland Oriental
Rugs A Complete Guide page 175 illustration
136 I have to conclude that this rug predates
that rug substantially. .
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Provenance - From the private
collection of James C. Allen.
There is a much younger Bergama in Eiland &
Eiland Oriental
Rugs A Complete Guide page 175 illustration 136. In
comparison it becomes easy to see how the design evolved
from Courtly formality to casual village styles.
This rug is very much what we expect in color from a Bergama. We see the dark
red in the field that Hawley told us to expect as well as
the green and yellow in the border. Hawley,
Walter A. Oriental Rugs Antique and Modern. page 178.
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Compare the top of the mihrab
to above detail from Bergama
Rug that was auctioned at Sotheby's
Extending from the white areas
into the red are small "y" shapes. It
reminds me of the protrusions into the field of a
Lampa Karabagh. Since there was much movement Lampa Karabagh Rug
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This rug has two to three
shots of light red weft. The back is flat and the
wefts are sinuous. Bergama
rugs are known for having a red weft, Hubel,
Reinhard G. The Book of Carpets page 70. Walter
Hawley is not a favorite source on rugs but he
does add some good points to the discussion of Bergama rugs. He
described the knots as being tied with fine yarn.
The wefts he describes as reddish brown of small
diameter completely hiding the warps. In Bergama rugs from
before 1770 he notes that you are likely to see
variation in the number of wefts throughout the
rug. Hawley,
Walter A. Oriental Rugs Antique and Modern.
pages 50 - 57.
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For Further Reading:
Thanks and best wishes,
J. Barry O'Connell Jr.
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