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Galerie Arabesque and Michael
Craycraft
http://www.Gallery-Arabesque.com
Mangyshlak(?) Chodor chuval PRICE $ 7,500.00 (USD)
Size: 125cm(H) x 79cm(W) / 4'1"(H) x 2'7"(W)
Region: Central Asia ? Turkmen ? Chodor
Item Type: Rugs and Carpets ? Bags and Trappings ? Chuval
Materials: wool with camel wefts
Structure / Technique: pile, asymmetric knot open right
Condition: Good
Comments On Condition
Near complete with folded and sewn top, pile is good but uneven, two or
three very small moth tracks, some of the very top is missing, a few
small urine dribbles in the elem and three very, very small holes.
Full Description
This is a speculators' dream. It is either an exceptional 19th century
Caspian Chodor or it is 17th century Mangyshlak Chodor. If I still have
it this October it will be submitted for carbon dating. For the moment
it is being offered for $7,500. If it carbon dates to 17th century or
earlier the value will quadruple.
There are a number of reasons why it should be 19th century. Primary
among these is that most Turkoman weavings are from this era.
Secondarily, at a glance it looks pretty much like a normal (19th
century) Turkoman weaving. Certainly there are Caspian Yomuds with a
similar palette, the gul is drawn like a normal Chodor gul, the borders
and secondary gul are familiar or at least known. So why look any
further? Well, because some of us are Turkomaniacs. Looking deeper is
second nature.
Upon closer inspection a numbers of details are found to be atypical.
First the secondary sarkhalka border. It's just not like the other
girls. Compare it with other Chodor or Saryk versions; it just doesn't
match. This particular rendition appears to be unique. We know the main
border to be both common and archaic. Afterall, it is common to the
Afshar and they haven't been much of a presence in central Asia since
the Seljuk movements. It is typical for 19th century Chodor and Yomut
work. But once again, upon close inspection we find that this
articulation to be very different. The horizontal aspects look
elongated and squashed, late even, but when one reads the reciprocal
(white) aspect the border takes on a whole new meaning. The vertical
versions of this border are textured or 'spotted ' like the bodies of
dragons and other mythical beasts in early carpets. If we read the
figurative design to be birds or phoenix then perhaps we might attempt
to extrapolate the textured reciprocal into dragons. Not too far
fetched. The gul itself is very good but it certainly doesn't vary much
from other early 19th century nine gul Chodor chuvals except in one
category; color. The others don't come in this palette. Indeed the
colors are very unusual for Chodor work and quite exceptional for any
Turkoman tribe. Finally, the structure. The warps are on one plane, not
depressed, like the few examples that we know to be Mangyshlak. The
knot count appears to be a bit high for Chodor work also.
Certainly not a completely convincing argument but one does wonder as
to exactly what is the explaination for this unusual chuval. Sooner or
later it will have to be submitted to science.







Seen on: http://www.cloudband.com/
Thanks and best wishes,
J. Barry O'Connell Jr.
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