Prof. Richard Tapper, Head of the
Department of Sociology & Anthropology, SOAS
PhD Anthropology University of
London 1972
Prof SOAS U of London.
Tapper spent a year with the
Shahsevan in 1964 and 1965.
Tapper, Richard, Pasture and
Politics: Economics, Conflict and Ritual Among
Shahsevan Nomads of Northwestern Iran, Academic
Press, London. 1979
Tapper, Richard, Nomads in a
Wider Society, Cultural Survival Quarterly, vol.
8, pp. 23-25. 1984
Tapper, Richard, Baluchistan,
Encyclopedia Iranica, vol. 3, pp. 598-632. 1989
Tapper, Richard, FRONTIER NOMADS
OF IRAN. A political and social history of the
Shahsevan. Cambridge, Cambridge Univ. Press,
1997. ca. 438 p., 9 half-tones, 9 maps
Tapper, Richard, ed. Islam in
Modern Turkey: Religion, Politics, and Literature
in a Secular State. London: Tauris, 1991.
Tapper, Richard, & MCLACHLAN,
KEITH TECHNOLOGY, TRADITION AND SURVIVAL. Aspects
of material culture in the Middle East and
Central Asia. 1999. 224 p., ills., map.
Tapper, Richard, (éd.) 1983. -
The conflict of tribe and state in Iran and
Afghanistan. - London UK.; Canberra: Croom Helm;
New York: St.Martin's Press. - 463 p.
Richard Tapper, "Golden
Tent-pegs: Settlement and Change among Nomads in
Afghan Turkistan". In S. Akiner (ed.),
Cultural Change and Continuity in Central Asia.
London: Kegan Paul, 1991, pp. 198-217.
Tapper, Richard, SOME MINORITIES
IN THE MIDDLE EAST. R. TAPPER (Ed.). OCCASIONAL
PAPER IX. LONDON: CNMES/SOAS, 1992.
Tapper: Frontier Nomads of Iran:
A Political and Social History of Shahsevan
(Willem Floor) page 542.
JOURNAL OF THE AMERICAN ORIENTAL SOCIETY Volume
119 / Number 3/ July-September 1999
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Tapper, Richard. Frontier Nomads of Iran,A
Political and Social History of the Shahsevan.
Cambridge Univ. Press. 1997.
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From the Publisher
Description
Richard Tappers book, which is based on
three decades of ethnographic fieldwork and
extensive documentary research, traces the
political and social history of the Shahsevan,
one of the major nomadic peoples of Iran. The
story is a dramatic one, recounting the mythical
origins of the tribes, their unification as a
confederacy, and their decline under the Pahlavi
Shahs. The book is intended as a contribution to
three different debates. The first concerns the
riddle of Shahsevan origins, while another
considers how far changes in tribal social and
political formations are a function of relations
with states. The third discusses how different
constructions of the identity of a particular
people determine their view of the past. In this
way, the book promises not only to make a major
contribution to the history and anthropology of
the Middle East and Central Asia, but also to
current theoretical debates in both disciplines.
What has been said about Frontier Nomads of
Iran
This book is a study of considerable
erudition and practical good sense, the result of
extensive documentary research and intensive
fieldwork
much enriched by historical
detail and pertinent comment
it is
remarkable how much this demanding but
informative study conveys to the reader with
great integrity, clarity and judgement.
Asian Affairs
Chapter Contents
1. Writing tribal history; Part I. The Safavid
State and the Origins of the Shahsevan: 2.
Shahsevan: Safavid tribal policy and
practice; 3. Shahsevan traditions; 4. Moghan and
Ardabil in Safavid times; Part II. The Rise of
the Shahsevan Confederacy: 5. Badr Khan
Sari-Khan-Beyli; 6. Nazar Ali Khan
Shahsevan of Ardabil; 7. The Shahsevan tribal
confederacy; Part III. The Shahsevan Tribes in
the Great Game: 8. The Russian wars and the loss
of Moghan; 9. The Shahsevan nomads in the
mid-nineteenth century; 10. Nomads and commissars
in Moghan; Part IV. The End of the Tribal
Confederacy: 11. Pastures new: the effects of the
frontier closure; 12. The Shahsevan, the
Constitution, the Great War and after; 13.
Settlement and detribalization; 14. Shahsevan
identity and history.
http://uk.Cambridge.org/areastudies/catalogue/0521583365/default.htm
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Tapper, Richard (Editor).
The New Iranian Cinema: Politics, Representation
and Identity. Palgrave Macmillan 2002, ISBN:
1860648037, Dimensions (inches): 1.0x6.25x9.25
PaperbackFrom the Publisher:
Iranian cinema is today widely recognized not
merely as a distinctive national cinema, but as
one of the most innovative in the world. This
international stature both fascinates Western
observers and appears paradoxical in line with
perceptions of Iran as anti-modern. The largely
Iranian contributors to this book look in depth
at how Iranian cinema became a true "world
cinema." From a range of perspectives, they
explore cinema's development in post Revolution
Iran and its place in Iranian culture.
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