JBOC's  Notes on Oriental Rugs

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Fachralo Kazak Rug from James C. Allen

The James C. Allen Fachralo Kazak

This is a striking example of a fairly unusual example of a Fachralo Kazak. The main medallions are simpler than we normally see in published Fachralo rugs and the compartment design is not that common either. If it turned out to be a little further south I would not be shocked. Nonetheless I do not see a better attribution for it and it is a wonderful rug.

Provenance - Formerly of James C. Allen.

Compare these guard borders to the inner guard border in Lorenzo Lotto's The Alms of St Anthony. We also see these "ribbon" borders in Surahani rugs as in Ulrich Schurmann's Caucasian Rugs plates 88
Fachralo rugs are in the Kazak group. One important attribution is the wefts. Gendge and Kazak rugs commonly have red wefts but undyed wefts such as these are not unheard of. This also has three shots of wefts which points to an attribution in the Gendge Kazak group.
The ribbon border is unusual in Kazak. While common in Turkish rugs we do see it in Karabagh rugs such as Bennett, Ian et al. Oriental Rugs Volume 1 Caucasian, plates 114.
The minor octagonal field motif is one we see in Borchalo rugs as well. see Bennett, Ian et al. Oriental Rugs Volume 1 Caucasian, plates 41. We also see it with the major medallion in a Borchalo rug as we see in plate 45.

James C. Allen's Auction description.

19th century Museum Fahraly caucasian @ a-bey
Item # 927855521

Description
Here is a 19th century MUSEUM QUALITY Fachraly Kazak measuring 4’1” X 8’ 9". This weaving is from Fachraly and exhibits the simple native high mountain aesthetic that has so justifiably made these among the most desirable of Caucasian rugs to collectors all over the world. The region of Kazak consists of the western area of the Caucasus Mountains stretching from Erivan in the South to Tiflis in the North. The populations were predominantly Armenian descent with a large proportion also nomadic Kurdish herdsmen. The present offering is early, perhaps being as old as 140 years. The dyes are vegetable and very mellowed. There is a pale green , a mid green, several shades of blue and red. The design is simple and direct but it fully embodies the dignified and reserved aesthetic of the mid 19th century.

The small village of Fachraly is world renowned for its superlative weavings and dyes. The dyes in this piece are all vivid natural dyes that have aged and mellowed into highly attractive individualistic hues rather than the drab ones so often seen with old synthetic dyes.

The design is typical yet again so individualized that it is almost novel. The medallion motif is known from 16th and 17th century Anatolian weavings and we think that these were the inspiration for rugs like the present offering. The border of this rug is one of the very simplest of all Caucasian rug borders and for this reason and the perfect balance in the mass of the elements of its design this rug is truly an outstanding collectors piece. The dyes of this weaving contain two related colors that are truly exceptional.

There is a light lime green in the center of some medallions that is a superlative hue. This light green is balanced with a mid value lime color and a dark forest green. These are absolutely mid-19th century colors and are not found in later 19th century weaving.. The blue looks like that of the deep blue sea. The central medallion has a true heraldic quality and projects a sense or feeling of greatness, like a great emblazon.

The piece was made of the traditional soft pliable wool found at high altitude. The knotting is quite fine at approximately 70-80 Ksi. The pile is medium length and is sufficient to conceal essentially all of the knot nodes. There are no apparent repairs. The selvages look to be original. This piece most probably belongs in the circa 1850 to 1870 range. The wefts are undyed wool. All in all, this is another very fine and highly collectible rug bought to you by a-bey on ebay.

For Further Reading:


Thanks and best wishes,

J. Barry O'Connell Jr.

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