Visit Persian Oriental Rugs and Carpets
Hi Barry, Here is information for both of the images that I sent to you. It is taken directly from the book in which I found them Oriental Carpet Designs In Full Color 1979 by Friedrich Sarre and Hermann Trenkwald. First image- the one with the faces "Hunting carpet of the Persian court manufactory. Second half of the 16th century. Whole carpet 695 x 323 cm. This detail shows a corner ornament of the field (a quadrant of the star in the center of the field, it contains dragons and phoenixes), part of the main ground design, (huntsmen on 58 horses pursue 173 wild animals) and part of the border (in the main band are pairs of genii). This is the most celebrated old Persian carpet. (Austrian museum for Art and Industry, Vienna.)" Note: The image that I sent you was of the border genii only. Second image- the medallion one with no faces "Persia. First half of 17th century. Whole carpet 389 x 152 cm, part shown 50 x 152 cm. This portion of the field shows the center panel with a crowned genius served by twelve attendant genii; one of the two flanking cartouches with calligraphy; several of the hunting scenes in the main ground; and portions of other panels. (Residenzmuseum, Munich)" Third image- border form the preceding carpet "This is one of the borders on the short sides. In the middle band two steinbocks fight in an octofoil that is flanked by two cartouches with genii. The outer bands (like the field cartouches) contain love verses with constant allusions to carpets." Barry, I am no student of art or of Islam. I saw these and they fired up my imagination and curiosity. What do they mean? They look like winged angels but they're called genii. I notice that in both there is one genii who is being served, and in one case by twelve genii, Could this be the archangel Gabriel? It was he I believe who brought the word to Mohammed. Does this religious iconography coupled with the hunting scenes and peacocks (a symbol of immortality?) on a court carpet tell us something about the mind of the court? I also find the continuity in art and culture of the belief in and portrayal of beings such as genii, angels, sprites, fairies, demons etc., and its refinement to monotheism in various cases, to be fascinating, if you can recommend any reading material I'd be most grateful. Hope this helps. Thanks again for your interest. Best regards, Zach Smith
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Persian Rugs the O'Connell Guides |
On one level the Angels in the kelim are a manifestation of the Islamic world view. The idea that the princely angel is Gabriel is plausible. There is a convention in Islamic art study that the one in the throne being served is called the prince unless we know specifically his name. It is just like in Archeology every female prehistoric statue is called the mother goddess or venus and for some reason no one every assumes the artist was portraying his wife, queen, or mother. Anyway when Mohammed (PBUH) was born it is said angels brought a coverlet for his mother. It was Gabriel the archangel who is said to have delivered the word of Allah to Mohammed (PBUH). At his death it is said that the angel of death gave him a choice of eternal earthly dominion or heaven with Allah. (It is said that Mohammed (PBUH) chose heaven.) I mention these points to show that in the Islamic world view that angels were very close to earth and acted in a wide variety of roles. Additionally like in Christianity angels had a hierarchy. So the angels in the border surround the earthly court of the Safavids. In the Kelim we have the angels in the center medallion surrounded by a royal hunt in the field which is surrounded by angels in the border. The medallion is heaven. The hunt is as close to heaven as we can get in this life and because they are the court the angels in the border watch over the royal court.
Zach I hope you will forgive me but this is a very rough cut. I would like to answer this in one letter but a book would not be enough. I do not know of any really good book on this to advise. Feel free to ask more or comment if you are still interested. I somehow doubt this thread will have very broad appeal. When I get a chance I still want to get around to where and when and why this kelim was made. There are certainly political and ethnic considerations in the imagery. Best wishes, |
From the collection of the Residenzmuseum For Further Reading: Thanks and best wishes, J. Barry O'Connell Jr. |